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Elmer Bernstein (April 4, 1922 – August 18, 2004) was an American composer and conductor best known for his many film scores. In a career which spanned fifty years, he composed music for hundreds of film and television productions. His most popular works include the scores to ''The Magnificent Seven'', ''The Ten Commandments'', ''The Great Escape'', ''To Kill a Mockingbird'', ''Ghostbusters'', ''The Black Cauldron'', ''Airplane!'', and ''The Rookies''. Bernstein won an Oscar for his score to ''Thoroughly Modern Millie'' (1967) and was nominated for fourteen Oscars in total. He also won two Golden Globes and was nominated for two Grammy Awards. ==Early life== Bernstein was born in New York City, the son of Selma (née Feinstein, 1901-1991), from Ukraine, and Edward Bernstein (1896-1968), from Austria-Hungary.〔(Biography ) elmerbernstein.com〕 He was not related to the celebrated composer and conductor Leonard Bernstein; but the two men were friends, and even shared a certain physical similarity. Within the world of professional music, they were distinguished from each other by the use of the nicknames ''Bernstein West'' (Elmer) and ''Bernstein East'' (Leonard). They pronounced their last names differently; Elmer pronounced his (BERN-steen), and Leonard's was (BERN-stine). During his childhood, Bernstein performed professionally as a dancer and an actor, in the latter case playing the part of Caliban in ''The Tempest'' on Broadway, and he also won several prizes for his painting. He attended Manhattan's progressive Walden School and gravitated toward music at the age of twelve, at which time he was given a scholarship in piano by Henriette Michelson, a Juilliard teacher who guided him throughout his entire career as a pianist. She took him to play some of his improvisations for composer Aaron Copland, who was encouraging and selected Israel Citkowitz as a teacher for the young boy.〔(Biography ) songwritershalloffame.org, retrieved December 21, 2009〕 Bernstein's music has some stylistic similarities to Copland's music, most notably in his western scores, particularly sections of Big Jake, in the Gregory Peck film ''Amazing Grace and Chuck'', and in his spirited score for the 1958 film adaptation of Erskine Caldwell's novel ''God's Little Acre''. Throughout his life, Bernstein demonstrated an enthusiasm for an even wider spectrum of the arts than his childhood interests would imply and, in 1959, when he was scoring ''The Story on Page One'', he considered becoming a novelist and asked the film's screenwriter, Clifford Odets, to give him lessons in writing fiction. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Elmer Bernstein」の詳細全文を読む スポンサード リンク
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